- article 1
: The Other Mr. Couperin
- article 2
: Merula's "Sonata Cromatica": a Case of Misattribution? (with sound clip)
- article 3
: A Praeludium by William Byrd? (with sound clip)
- article 4
: Notes to the Teldec Well-Tempered Clavier
- article 5
: Notes on Bach's Variations for Harpsichord
- article 6
: The online essay for NAXOS 8.573493-94 / FROBERGER / 23 Suites, Tombeau, Lamentation
- article 7
: Cavazzoni and the Birth of the Harpsichord Toccata
- article 8
: The "Luython" Chromatic Ricercar
- article 9
: A Tombeau de Charles Couperin by his son François Couperin le Grand? (with sound clip)
- article 10
: Adrian Willaert’s Chromatic Latin Part-song Quid non ebrietas (with sound clip)
- article 11
: First Publication
- article 12
: The Road Not Taken
- article 13
: Iconography in Brescia
- article 14
: "The Concert" by Titian: a Portrait of Dionisio Memo?
- article 15
: War and Peace — Clavichords and Fortepianos
- article 16
: ‘Di Sofonisma nobile Cremonesa, Musica, Letterata, e sopra tutto rarissima Pittrice’
- article 17
: Tasso on Music
- article 18
: Clauycordes and the Knight of the Tower
- article 19
: Claudio Merulo: two new biographical notes
- article 20
: “A CERTAIN and EXPEDITIOUS METHOD of TUNING the HARPSICHORD” (1790)
- article 21
: A postscript to Article 1 / Charles Couperin
- article 22
: An autograph prélude non mesuré by Élisabeth Jacquet de la Guerre
- article 23
: The Earliest Monothematic Variation Ricercar
- article 24
: A Prélude non mesuré by Lully’s daughter?
- article 25
: “ad pulsandum in organis”
- article 26
: Two Bachs, Two Buxtehudes
- article 27
: On Kenneth Gilbert (for the British Harpsichord Society)
- article 28
: A painted villanella: In Memoriam H. Colin Slim (NEMA Newsletter, Spring 2021)
- article 29
: TABULATURBUCH WILHELM SIXT (Schweinfurt 1602)
- article 30
: Bach's Art of Fugue: suggestions for the last gap
- article 31
: VERHOEVEN / VEROVIO
- article 32
: da organi et da tocco
- article 33
: Music in Messisbugo
- article 34
: You say Grammatica and I say Cromatica
- article 35
: THE MURDER OF FIGARO
- article 36
:
- article 37
: THE FIRST SOLO SONATA?
- article 38
: A Wee Baffin Regarding the Trinity Altarpiece, Edinburgh
- article 39
: The Lost Screed
- article 40
: Foutjes
- article 41
: 1741?
- article 42
: CAROLINGIAN COMIX
- article 43
: A medieval orchestra in stone (NEMA Newsletter, Fall 2021)
- article 44
: BUKE OF THE HOULATE
- article 45
: ON THE RICERCARS OF ADRIAN WILLAERT
- article 46
: JAS
- article 47
: TITIAN’S “VENUS WITH A MUSICIAN” (x 5)
- article 48
: DOUBLE-ING DOWN
- article 49
: Titon du Tillet’s Le Parnasse François
- article 50
: Un-Certain-ty Principle
- article 51
: Bis sich die Zeit herdrange...
- article 52
: The Oldest Illinois Fortepiano?
- article 53
: Adoration
- article 54
: What a Casanova...
- article 55
: WHITSUN
- article 56
: THE MURDER OF MARCHAND
- article 57
: QUID SIT DANSA
- article 58
: “...nach seiner Art...”
- article 59
: BIRDBRAIN
- article 60
: A Scarlatti Urtext of 1823
- article 61
: La la Barre
- article 62
: On the passing of Marie Leonhardt
- article 63
: Attaining Attaingnant
- article 64
: Louvre’s Largest
- article 65
: The 16th-Century French Keyboard Repertoire / additional notes to NAXOS 8.572999: ATTAINGNANT
- article 66
: Pordenonian Perplexity
- article 67
: Calamitous (with sound clip)
- article 68
: 114 (with sound clip)
- article 69
: EVERMORE
- article 70
: Che Sarà?
- article 71
: On the ricercars of the Bourdeney Codex
- article 72
: “...einer Menge Orgelfugen”, or: More Couperin
- article 73
: On the polyphonic keyboard works of J. J. Froberger
- article 74
: An unknown Roman portative organ (NEMA Newsletter Autumn 2022)
- article 75
: Stanza
- article 76
: Frescobaldi’s FIORI MUSICALI: The Secular Side
- article 77
: On the 1615 Ricercars of Girolamo Frescobaldi
- article 78
: NEW YEAR’S EVIL
- article 79
: Genov-ine Article
- article 80
: Giuseppe Sarti in Ukraine
- article 81
: The “Alexander Romance” in Ivory
- article 82
: Bach Bellows
- article 83
: Sayonara Nihon
- article 84
: Triple (Sextuple?) Portrait: Reincken, Buxtehude and...?
- article 85
: Wilhelmine, Markgräfin von Bayreuth: Found in Translation
- article 86
: HERMAN AND THE HARPSICHORD (Wouk, not Woke)
- article 87
: Music in the Margravine's Memoir (NEMA Newsletter Spring 2023)
- article 88
: BWV 651: The Nightmare
- article 89
: MY INTRODUCTION TO THE LIED
- article 90
: LE CONCERT ITALIEN
- article 91
: BACH AND VERMEER
- article 92
: IN VITO VERITAS
- article 93
: OLD FAKE NEWS
- article 94
: “BEETHOVEN ON THE HARPSICHORD?”
- article 95
: POSTSCRIPT TO ARTICLE XX: SALOMON VON CÖLLN
- article 96
: ON THE 400th ANNIVERSARY OF THE DEATH OF WILLIAM BYRD
- article 97
: ON THE 1637 "OFFERTORY" of THOMAS TOMKINS (with sound clip)
- article 98
: Music in the Memoirs of the Abbé de Choisy
- article 99
: MORE MERULO
- article 100
: UNPRINTABLE
- article 101
: AMERBACH / KOTTER / BASEL (with sound clip)
- article 102
: THE OTHER MR. K
- article 103
: Froberger/Roger: From Amsterdam to southern France
- article 104
: G.L. LPs
- article 105
: Ex-BWV 919
- article 106
: J. S. BACH, FUGUE CONSULTANT
- article 107
: FUNKSTILLE
- article 108
: THE THIRD MASS
- article 109
: BYE-BYE BAYREUTH: with a Postscript to Article 87
- article 110
: G.L. LPs, part II
- article 111
: G.L. LP 3
- article 112
: Z 720 (G.L. LP PS)
- article 113
: Music in "BARBIE"
- article 114
: G. L. 45rpm
- article 115
: Versailles: la Vielle Chapelle
- article 116
: The Düsseldorf Wedding of 1585 (NEMA Newsletter, fall 2023: Article 95 expanded)
- article 117
: On Sonata K52 by Domenico Scarlatti (with sound clip)
- article 118
: On the 1742 Manuscript of Domenico Scarlatti's Sonatas
- article 119
: FANTASIES
- article 120
: Scarlatti: The Last Act
- article 121
: FROBERGER IN SPAIN
- article 122
: FROBERGER IN SPAIN, PART 2
- article 123
: A note on W. F. E. Bach
- article 124
: HEINRICH SCHÜTZ, CONTINUO SKEPTIC
- article 125
: IDOMENEO IDIOCY
- article 126
: D. Scarlatti, Historian of Spain
- article 127
: THE (?)LOST 12-KEY FROBERGER CANZONA (With an Excursion on Andreas Werckmeister)
- article 128
: A Senseless Death
- article 129
: A Harpsichord in "Maestro"
- article 130
: THE WELL-TEMPERED CLAVER, BOOKS 0, III, IV and V
- article 131
: IDOMENEO: IRRITATION AND ILLUMINATION
- article 132
: Mattheson on Continuo and Auditions
- article 133
: More Mattheson Morsels
- article 134
: "You are my good little boy."
- article 135
: Notes on Veronese's notes (NEMA Newsletter, spring 2024)
- article 136
: Music in Eisenstein's "Alexander Nevsky"
- article 137
: A SAD PAVEN: IN MEMORIAM (with sound clip)
- article 138
: On François (ii) Couperin’s Barricades Mysterieuses
- article 139
: Massacre in Munich
- article 140
: A Little-known Keyboard Galliard by William Byrd (with sound clip)
- article 141
: Dedicated to Arnolt Schlick
- article 142
: Bartók Plays Scarlatti
- article 143
: On five German keyboard arrangements of Ciconia's Con lagreme (Harpsichord & Fortepiano, Autumn 2024)
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