Articles and sound clips


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article 1:    The Other Mr. Couperin article 2:    Merula's "Sonata Cromatica": a Case of Misattribution? (with sound clip) article 3:    A Praeludium by William Byrd? (with sound clip) article 4:    Notes to the Teldec Well-Tempered Clavier article 5:    Notes on Bach's Variations for Harpsichord article 6:    The online essay for NAXOS 8.573493-94 / FROBERGER / 23 Suites, Tombeau, Lamentation article 7:    Cavazzoni and the Birth of the Harpsichord Toccata article 8:    The "Luython" Chromatic Ricercar article 9:    A Tombeau de Charles Couperin by his son François Couperin le Grand? (with sound clip) article 10:    Adrian Willaert’s Chromatic Latin Part-song Quid non ebrietas (with sound clip) article 11:    First Publication article 12:    The Road Not Taken article 13:    Iconography in Brescia article 14:    "The Concert" by Titian: a Portrait of Dionisio Memo? article 15:    War and Peace — Clavichords and Fortepianos article 16:    ‘Di Sofonisma nobile Cremonesa, Musica, Letterata, e sopra tutto rarissima Pittrice’ article 17:    Tasso on Music article 18:    Clauycordes and the Knight of the Tower article 19:    Claudio Merulo: two new biographical notes article 20:    “A CERTAIN and EXPEDITIOUS METHOD of TUNING the HARPSICHORD” (1790) article 21:    A postscript to Article 1 / Charles Couperin article 22:    An autograph prélude non mesuré by Élisabeth Jacquet de la Guerre article 23:    The Earliest Monothematic Variation Ricercar article 24:    A Prélude non mesuré by Lully’s daughter? article 25:    “ad pulsandum in organis” article 26:    Two Bachs, Two Buxtehudes article 27:    On Kenneth Gilbert (for the British Harpsichord Society) article 28:    A painted villanella: In Memoriam H. Colin Slim (NEMA Newsletter, Spring 2021) article 29:    TABULATURBUCH WILHELM SIXT (Schweinfurt 1602) article 30:     Bach's Art of Fugue: suggestions for the last gap article 31:    VERHOEVEN / VEROVIO article 32:    da organi et da tocco article 33:    Music in Messisbugo article 34:    You say Grammatica and I say Cromatica article 35:    THE MURDER OF FIGARO article 36:     article 37:    THE FIRST SOLO SONATA? article 38:    A Wee Baffin Regarding the Trinity Altarpiece, Edinburgh article 39:    The Lost Screed article 40:    Foutjes article 41:    1741? article 42:    CAROLINGIAN COMIX article 43:    A medieval orchestra in stone (NEMA Newsletter, Fall 2021) article 44:    BUKE OF THE HOULATE article 45:    ON THE RICERCARS OF ADRIAN WILLAERT article 46:    JAS article 47:    TITIAN’S “VENUS WITH A MUSICIAN” (x 5) article 48:    DOUBLE-ING DOWN article 49:    Titon du Tillet’s Le Parnasse François article 50:    Un-Certain-ty Principle article 51:    Bis sich die Zeit herdrange... article 52:    The Oldest Illinois Fortepiano? article 53:    Adoration article 54:    What a Casanova... article 55:    WHITSUN article 56:    THE MURDER OF MARCHAND article 57:    QUID SIT DANSA article 58:    “...nach seiner Art...” article 59:    BIRDBRAIN article 60:    A Scarlatti Urtext of 1823 article 61:    La la Barre article 62:    On the passing of Marie Leonhardt article 63:    Attaining Attaingnant article 64:    Louvre’s Largest article 65:    The 16th-Century French Keyboard Repertoire / additional notes to NAXOS 8.572999: ATTAINGNANT article 66:    Pordenonian Perplexity article 67:    Calamitous (with sound clip) article 68:    114 (with sound clip) article 69:    EVERMORE article 70:    Che Sarà? article 71:    On the ricercars of the Bourdeney Codex article 72:    “...einer Menge Orgelfugen”, or: More Couperin article 73:    On the polyphonic keyboard works of J. J. Froberger article 74:    An unknown Roman portative organ (NEMA Newsletter Autumn 2022) article 75:    Stanza article 76:    Frescobaldi’s FIORI MUSICALI: The Secular Side article 77:    On the 1615 Ricercars of Girolamo Frescobaldi article 78:    NEW YEAR’S EVIL article 79:    Genov-ine Article article 80:    Giuseppe Sarti in Ukraine article 81:    The “Alexander Romance” in Ivory article 82:    Bach Bellows article 83:    Sayonara Nihon article 84:    Triple (Sextuple?) Portrait: Reincken, Buxtehude and...? article 85:    Wilhelmine, Markgräfin von Bayreuth: Found in Translation article 86:    HERMAN AND THE HARPSICHORD (Wouk, not Woke) article 87:    Music in the Margravine's Memoir (NEMA Newsletter Spring 2023) article 88:    BWV 651: The Nightmare article 89:    MY INTRODUCTION TO THE LIED article 90:    LE CONCERT ITALIEN article 91:    BACH AND VERMEER article 92:    IN VITO VERITAS article 93:    OLD FAKE NEWS article 94:    “BEETHOVEN ON THE HARPSICHORD?” article 95:    POSTSCRIPT TO ARTICLE XX: SALOMON VON CÖLLN article 96:    ON THE 400th ANNIVERSARY OF THE DEATH OF WILLIAM BYRD article 97:    ON THE 1637 "OFFERTORY" of THOMAS TOMKINS (with sound clip) article 98:    Music in the Memoirs of the Abbé de Choisy article 99:    MORE MERULO article 100:    UNPRINTABLE article 101:    AMERBACH / KOTTER / BASEL (with sound clip) article 102:    THE OTHER MR. K article 103:    Froberger/Roger: From Amsterdam to southern France article 104:    G.L. LPs article 105:    Ex-BWV 919 article 106:    J. S. BACH, FUGUE CONSULTANT article 107:    FUNKSTILLE article 108:    THE THIRD MASS article 109:    BYE-BYE BAYREUTH: with a Postscript to Article 87 article 110:    G.L. LPs, part II article 111:    G.L. LP 3 article 112:    Z 720 (G.L. LP PS) article 113:    Music in "BARBIE" article 114:    G. L. 45rpm article 115:    Versailles: la Vielle Chapelle article 116:    The Düsseldorf Wedding of 1585 (NEMA Newsletter, fall 2023: Article 95 expanded) article 117:    On Sonata K52 by Domenico Scarlatti (with sound clip) article 118:    On the 1742 Manuscript of Domenico Scarlatti's Sonatas article 119:    FANTASIES article 120:    Scarlatti: The Last Act article 121:    FROBERGER IN SPAIN article 122:    FROBERGER IN SPAIN, PART 2 article 123:    A note on W. F. E. Bach article 124:    HEINRICH SCHÜTZ, CONTINUO SKEPTIC article 125:    IDOMENEO IDIOCY article 126:    D. Scarlatti, Historian of Spain article 127:    THE (?)LOST 12-KEY FROBERGER CANZONA (With an Excursion on Andreas Werckmeister) article 128:    A Senseless Death article 129:    A Harpsichord in "Maestro" article 130:    THE WELL-TEMPERED CLAVER, BOOKS 0, III, IV and V article 131:    IDOMENEO: IRRITATION AND ILLUMINATION article 132:    Mattheson on Continuo and Auditions article 133:    More Mattheson Morsels article 134:    "You are my good little boy." article 135:    Notes on Veronese's notes (NEMA Newsletter, spring 2024) article 136:    Music in Eisenstein's "Alexander Nevsky" article 137:    A SAD PAVEN: IN MEMORIAM (with sound clip) article 138:    On François (ii) Couperin’s Barricades Mysterieuses article 139:    Massacre in Munich article 140:    A Little-known Keyboard Galliard by William Byrd (with sound clip) article 141:    Dedicated to Arnolt Schlick article 142:    Bartók Plays Scarlatti article 143:    On five German keyboard arrangements of Ciconia's Con lagreme (Harpsichord & Fortepiano, Autumn 2024)